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Christopher Pavlov's avatar

I cannot tell you how much this series of posts has meant to me. As a fellow "Despacio Disciple", and through a desire to adhere to + apply core tenets to dancefloors I aim to create, reading YOUR firsthand accounts of these spaces is crucial. Last time I was in Germany was 2017, denied at Tresor on the first try and tried again 30 minutes later with success. Did not dare try Berghain and I know I would not have appreciated it. You care about the essence of the floor more than anyone I have ever met, and your diligence to uncovering and exulting the floors that fire on all cylinders is incredible. Keep it up, as you inspire more people than you could imagine.

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Skribbelz's avatar

This post is quite a read, so I'm only half-way through right now, just got to the section about connected dancefloors, and I'll drop comments as I go.

I wonder, how much do you feel that being on psychadelics influences that feeling of connected-ness? When I think back to those extremely rare moments when I felt truly connected with the people dancing around me, it was at least 5 or 6 hours into the dance and I was on at least 2 hits of LSD and a redose of MDMA by that point - and specifically LSD, mushrooms never made me feel as connected with the people around me (though it does make me feel more connected to nature).

Also, when you are dancing and not facing the DJ, where do you look? Except for a passing glance and a smile (which is a big part of feeling the magic, because it shows that we are sharing the same good vibes), it creeps me out to make prolonged eye contact with other people on the dancefloor - especially when I have my rage-face on. Obviously sunglasses help a lot in this regard. My two reasons for usually facing the DJ are, 1 it avoids eye contact with people, and 2 that's where the main speakers usually are. The exception being if there are multiple speaker stacks, in which case I usually dance facing one from 10 feet away, or if there is no space, then I will dance with my back against the speaker and facing out into the crowd (in NYC, speaker stacks are uncommon because dancefloors are so small, except at Nowadays and Danny T's STAX series... and maybe Basement, but I never go there)

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